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I can fondly remember my freshman year at Paine College.
I was wrought with self-doubt and insecurity about what my future held outside of New York. I was finally on my own and all I really had was my TV, My CD Player and the new debut CD by Faith Evans. With it's all white encasing, and the beautiful "red" girl on the cover, I listened to that entire CD until I knew every background vocal tonation and lyric by heart, much to the chigrin of my roommates. They made me take "time-outs" from listening to it.
Her vocal cadence is unfadeable, her writing is unmatched by most of the female entertainers out past and present, and she is arguably the illest first lady over at Bad Boy Entertainment. You gotta keep the Faith!
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In spite of the fact that Faith Evans carved out a recording career in her own right, her name will forever remain linked in the minds of many to her late husband the Notorious B.I.G. Evans was an active session singer and songwriter before signing her own solo deal and marrying Biggie, and while she never matched the level of his stardom, she continued to come into her own as a vocalist in the years after his untimely death.
Faith Evans was born on June 10, 1973, and grew up in Newark, NJ, where she began singing in church at the mere age of two. A high school honor student, she sang in her school's musical productions before winning a full scholarship to Fordham University. After just one year, though, she left college to put her jazz and classical training to use in the field of contemporary R&B. It didn't take her long to find work and over the next few years, she sang backup and wrote songs for artists like Hi-Five, Mary J. Blige, Pebbles, Al B. Sure!, Usher, Tony Thompson, and Christopher Williams. Thanks to her work on Blige's 1994 sophomore effort, My Life, Evans met producer/impresario Sean "Puffy" Combs, who signed her to his Bad Boy label. In 1995, Evans released her debut album, Faith, which went platinum on the strength of the hit R&B singles "You Used to Love Me" and "Soon As I Get Home." The same year, she met fellow Bad Boy artist the Notorious B.I.G. (some accounts say at a photo shoot, others a phone conversation) and married him after a courtship of just nine days; shortly thereafter, she guested on a remix of his smash single "One More Chance."
Over the next couple of years, Evans continued her behind-the-scenes work, performing and writing for records by the likes of Color Me Badd and LSG. She and Biggie also had a son, Christopher Wallace Jr., in late 1996; however, by that point, their marriage had already become strained. Biggie had publicly taken up with rapper Lil' Kim and rumors had been spreading about an Evans liaison with Biggie's rival 2Pac (alluded to on 2Pac's venomous "Hit Me Off"). The couple had unofficially separated when Biggie was shot and killed in March 1997. A grief-stricken Evans was prominently featured on the Puff Daddy tribute single "I'll Be Missing You," which with its cribbed Police hook zoomed to the top of the charts and became one of the year's biggest hits.
Evans' sophomore effort Keep the Faith followed in 1998 and it spun off several R&B hits over the next year, including "Love Like This," "All Night Long," and the Babyface-produced R&B number one "Never Gonna Let You Go." In the meantime, she worked with Aaron Hall, Tevin Campbell, and DMX, among others, and also made high-profile guest appearances on two 1999 hits, Whitney Houston's "Heartbreak Hotel" and Eric Benet's "Georgy Porgy." She began dating and eventually married record executive Todd Russaw, who took an active role in helping manage her career. In 2001, Evans released her third album, Faithfully, a more up-tempo record that received her strongest reviews to date; it also produced hit singles in "You Gets No Love" and "I Love You," and her duet with Carl Thomas on "Can't Believe" was nominated for a Grammy.
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